Howard Compositions to Feature in Prescot Festival

Two of Robert Howard’s choral compositions will feature on the programme of this year’s Prescot Festival, of which he is founder and director.

In a concert commemorating 100 years since the end of World War One, the Prescot Festival Chorus will sing Robert’s haunting setting of Ave verum corpus. Either side will be two classic works by Gabriel Fauré, Cantique de Jean Racine and Requiem. In excess of 115 singers are expected to come from across the North West to join the chorus for the concert, which takes place at 7pm on Saturday 16 June at Prescot Parish Church.

In preparation for the occasion, Prescot Parish Church Choir, for whom Ave verum corpus was originally written, sang the piece during the Eucharist on Sunday 13 May. Later the same week, they led the way in singing Robert’s 2017 anthem Alleluia at an RSCM ‘Sing & Sup’ workshop/rehearsal at the Church of St Nicholas, Sutton, under the baton of Dr Ian Sharp.

Prescot Parish Church Choir will then sing the meditative Alleluia as the anthem on Sunday 24 June, at a service of Choral Evensong marking the close of the 2018 Prescot Festival. Canticles are by Richard Shephard (his Song of Mary and Song of Simeon in place of the Magnificat and Nunc dimittis, respectively). All are welcome to Prescot Parish Church at 6pm. The service is followed by the Proms-style Festival Finale, featuring the Maghull Wind Orchestra.

As well as Ave verum corpus and Alleluia, two more of Robert’s pieces received performances in May 2018. The composer himself played The Clown (1991) and Folk Lament (1994), both early works for solo bassoon, as part of the South Liverpool Orchestra’s concert at St James’s Woolton on 15 May.