Robert has been composing since childhood, and regularly accepts commissions from ensembles, orchestras and choirs - amateur, semi-professional and professional. His pieces, now totalling over 100, have enjoyed over 250 performances across the UK and as far afield as Denmark, Germany, Colombia, USA and Australia.
November 2018 sees several performances of Robert Howard’s music in Merseyside.
On Friday 16 November, the composer will give the premiere of his own piano miniatures, Intrada (1995) and Prelude in C (1992), at a private engagement at Gladstone’s Library in Hawarden, Wales. This follows successful premieres of other earlier works at Prescot Parish Church in September: Piano miniatures Pastoral Intermezzo and Prelude in F (both 1993), and Pierrot (1992), for solo bassoon. The occasion will also feature a first performance of Robert’s setting of the carol Once in Royal David’s City, with Laura Howard (alto) and David Kernick (tenor).
On Saturday 17 November, Liverpool Mozart Orchestra play his 2015 Cortège, in a Remembrance programme also featuring pieces by Butterworth, Ravel, Beethoven and Vaughan Williams. The concert starts at 7.30pm at the Capstone Theatre (Liverpool Hope University, Shaw Street, Liverpool, L6 1HP), and tickets are £15 (senior citizens £13.50, 17+ in full-time education £5, u16s free). See www.livemozart.com for more information and to buy tickets.
And finally, Stephen Mannings will conduct Liverpool Cathedral Youth Choir in Robert Howard’s Magnificat & Nunc dimittis at Evensong on Saturday 24 November at 3pm in Liverpool Cathedral. Although Robert’s choral works have been heard at the neighbouring Liverpool Metropolitan Cathedral of Christ the King, this marks the first performance of a Howard composition at the Anglican Cathedral. All are welcome to this service of worship (free entry).
Two of Robert’s choral compositions featured in this year’s Prescot Festival, with the 2016 setting of the Ave verum corpus receiving a performance by a massed choir of an unprecedented 120 singers from across the North West on 16 June. (Pictured. Photo: Alan Humphreys)
Alleluia, written in memory of Gerald Dyson in 2017, was the anthem for Festival Choral Evensong, closing the 10-day event on Sunday 24 June. Gerald was a long-time member of Prescot Parish Church Choir, who sang the piece accompanied by parish organist Tim Hall.
The festival, which Rob founded in 2005 and continues to direct, was a great success, welcoming over 1,600 people to a series of concerts and arts events in venues throughout Prescot and Whiston.
Performances & Premieres Ahead
More performances of Robert’s works are lined up for later this year. His new anthem For Mary, Mother of Our Lord will receive its first performance on Sunday 9 September in Prescot Parish Church, during the 10.30am Eucharist. It has been composed especially for the occasion of the 2018 Patronal Festival and dedicated to the church and to the composer’s own mother, Dorothy Howard.
The trebles of Prescot Parish Church Choir sing Jubilate Deo at Parish Musicians in Concert on Friday 21 September at 7pm in Prescot Parish Church. The concert will also see premieres of three early works by Robert Howard: piano miniatures Pastoral Intermezzo and Prelude in F (both 1993), and Pierrot (1992), for solo bassoon; each piece will be played by the composer himself. For just £5 on the door (u16s free with a paying adult), audiences will enjoy about 75 minutes of music from organist Tim Hall and soloists, followed by complimentary cake and wine.
On 6 October St Helens Choral Society will perform three of Rob’s motets – Ave Verum Corpus, Alleluia and Jubilate Deo. The concert, entitled ‘O Radiant Dawn – A Celebration of 20th & 21st Century Choral Music’ and conducted by Stephen Newlove, will take place at St Thomas’s Church in St Helens (Peter Street, WA10 2EB – please note the change of venue from that advertised earlier) at 7.30pm. Call 01695 625500 for ticket reservations or email firstname.lastname@example.org. The cost is £10, or £1 for students.
Then on 17 November, Liverpool Mozart Orchestra will feature Robert’s 2015 work Cortege as part of a WWI remembrance concert in Liverpool’s Capstone Theatre.
Two of Robert Howard’s choral compositions will feature on the programme of this year’s Prescot Festival, of which he is founder and director.
In a concert commemorating 100 years since the end of World War One, the Prescot Festival Chorus will sing Robert’s haunting setting of Ave verum corpus. Either side will be two classic works by Gabriel Fauré, Cantique de Jean Racine and Requiem. In excess of 115 singers are expected to come from across the North West to join the chorus for the concert, which takes place at 7pm on Saturday 16 June at Prescot Parish Church.
In preparation for the occasion, Prescot Parish Church Choir, for whom Ave verum corpus was originally written, sang the piece during the Eucharist on Sunday 13 May. Later the same week, they led the way in singing Robert’s 2017 anthem Alleluia at an RSCM ‘Sing & Sup’ workshop/rehearsal at the Church of St Nicholas, Sutton, under the baton of Dr Ian Sharp.
Prescot Parish Church Choir will then sing the meditative Alleluia as the anthem on Sunday 24 June, at a service of Choral Evensong marking the close of the 2018 Prescot Festival. Canticles are by Richard Shephard (his Song of Mary and Song of Simeon in place of the Magnificat and Nunc dimittis, respectively). All are welcome to Prescot Parish Church at 6pm. The service is followed by the Proms-style Festival Finale, featuring the Maghull Wind Orchestra.
As well as Ave verum corpus and Alleluia, two more of Robert’s pieces received performances in May 2018. The composer himself played The Clown (1991) and Folk Lament (1994), both early works for solo bassoon, as part of the South Liverpool Orchestra’s concert at St James’s Woolton on 15 May.